Queer Exhibition Histories war The chipboard lies at the

The chipboard lies at the heart of James Beckett’s installation and book

The phenomenal performative relationship between the state and its cultural institutions was perhaps best exemplified when the declaration of the State of Israel was staged at the Tel Aviv Museum of Art in 1948

Yves Citton looks at the attention economy

technologically enhanced

Queer Exhibition Histories war The chipboard lies at theQueer Exhibition Histories comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and paraphernalia, with the overriding notion, or need, for public display. In these contexts, public is relative in events that were either short