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Language and logic are pushed to their farthest extremes in one of Chevillard’s funniest novels yet
This masterpiece of pre-punk aesthetics critiques the hypocrisy and consumerism of modern culture while spoofing the "typical" maladjusted family
The Major and the Candy
as well as a poetry editor for The Massachusetts Review
The Poor aphorisms Language and logic are pushedThe Poor (Os Pobres, 1906), by Portuguese author Raul Brando, is a powerful tribute to the underclasses. Inno vative thematically and stylistically, the novel consists of loosely connected vignettes on two narrative levels: the lives of prostitutes, where the inexorable need for love is transformed into a means for survival; and the life of Gebo, a seemingly slovenly man, with neither sentiment nor intelligence. The Poor (Os Pobres, 1906), by
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