Strawinsky: Le sacre du printemps size:OS III Ne mets pas ta

III Ne mets pas ta tête sous ton bras

Mit seinen Goldberg Variations setzt er nun ein klares Zeichen: er ist an der Spitze angekommen

[4] Ravel: Menuet sur le nom de Haydn

stepping away from human-centered thinking and towards a way of creating ‘with’ nature

Strawinsky: Le sacre du printemps size:OS III Ne mets pas taSolti once likened the city of Chicago and its illustrious orchestra to a sleeping beauty when he arrived as music director in the autumn of 1969. But five years later, it was another ballet Stravinskys Rite of Spring that revealed how incendiary the new relationship had become, in a recording which still propels itself out of the loudspeakers half a century after it was made. Glamorous and powerful. Gramophone Introducing Deccas new all analogue